THEORY OF UPBRINGING AND THE PRINCIPLE OF RESPECT FOR THE CHILD’S INDIVIDUALITY: AN ART EDUCATIONAL MODEL FOR TRANSFORMING FEARS INTO CONFIDENCE IN MIDDLE CHILDHOOD
Sr No:
Page No:
64-68
Language:
English
Authors:
Dr. Avi Abner*
Received:
2025-09-11
Accepted:
2025-09-30
Published Date:
2025-10-07
Abstract:
The study examines an art educational model grounded in the theory of upbringing and the principle of respect for the
child’s individuality, with a focus on transforming school related fears into confidence during middle childhood. The model is
implemented in a non-formal cultural and natural context that links literary experience, creative production and guided group
reflection. The research design contrasts an experimental class that passes through a complete cycle of activities with a control class
following routine instruction. School related fear is measured through a brief questionnaire adapted to middle childhood,
complemented by self-reports of readiness for school and sense of courage on visual analogue scales. The practical component is
conducted with the participation of art therapy expert Teodora Dimitrova, whose facilitation ensures safe symbolic expression and age
appropriate pacing. The findings indicate a marked decline in school related fear in the experimental class and concurrent increases in
perceived readiness and courage, while the control class shows negligible change. These outcomes align with contemporary literature
that links arts engagement with emotional regulation, reflective meaning making and social emotional learning in childhood. The study
contributes an implementable sequence for educators that integrates respect for the pupil’s autonomy with structured creativity and
play, and it outlines directions for replication across settings and for follow up measurement of durability of effects over time.
Keywords:
Keywords: art-educational model, school-related fears, confidence, middle childhood, theory of upbringing, respect for the pupil’s individuality, socio-emotional learning, symbolic play.