Multinational Research Society Publisher

Mission and Vision
Our Mission
At MRS Publisher, our mission is to advance the dissemination of high-quality, peer-reviewed research to a global audience, enabling unrestricted access to scholarly content. We strive to facilitate the free exchange of knowledge and foster academic collaboration, empowering researchers, educators, and practitioners across disciplines to contribute to the advancement of science and society. By providing open access to research outputs, we aim to enhance the visibility, impact, and accessibility of scholarly work while supporting a sustainable and equitable knowledge-sharing ecosystem.
Our Vision
Our vision is to become a leading force in the global open-access publishing landscape, promoting transparency, inclusivity, and collaboration within the scientific community. We envision a future where all academic research is freely accessible, enabling innovation, accelerating discovery, and supporting evidence-based decision-making in policy, education, and practice. Through our commitment to open access, MRS Publisher seeks to break down barriers to knowledge and empower a diverse range of voices and perspectives in the pursuit of knowledge and societal progress.
Open Access Policy
MRS Publisher is committed to promoting open access to all scholarly works published under our name. We firmly believe that providing open access to research articles, journals, and other scholarly materials increases the visibility and accessibility of research, maximizes the impact of scientific inquiry, and accelerates the exchange of knowledge across borders and disciplines.
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Latest Article
1. Elemental Nature and Eco-Spirituality in the Poetry of Pablo Neruda
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Mrs. Dipti Yuvraj Shiledar*, D...
Research Scholar, Research Centre: KRT Arts, BH Commerce and AM Science (K.T.H.M.) College, Nashik, Affiliated to Savitribai Phule Pune University, Pune
47-50
https://doi.org/10.5281/zenodo.19909046

This research paper explores the representation of elemental nature and eco-spirituality in the poetry of Pablo Neruda, one of the most influential poetic voices of twentieth-century world literature. Neruda’s poetry consistently foregrounds the intimate relationship between humanity and the natural world, presenting earth, water, fire, air, plants, stones, and oceans not merely as aesthetic images but as living presences imbued with spiritual and ethical significance. Through an eco-critical framework, this study examines how Neruda’s poetic imagination transforms material nature into a source of cosmic unity, ecological consciousness, and collective human identity. Drawing upon selected works including Residence on Earth, Canto General, and Elemental Odes, the paper analyzes Neruda’s evolving ecological vision—from surreal alienation to planetary solidarity and environmental reverence. The study argues that Neruda’s poetry articulates an eco-spiritual worldview grounded in interconnectedness, humility toward natural forces, and recognition of humanity’s dependence upon elemental processes. His poetic engagement with landscapes of Latin America, especially Chile’s mountains, forests, deserts, and oceans, reveals nature as historical witness and spiritual teacher. By elevating ordinary natural objects into sacred experiences, Neruda anticipates contemporary environmental ethics and ecological philosophy. Ultimately, the paper demonstrates that Neruda’s poetry constructs a form of eco-spiritual humanism where nature becomes a medium for social justice, cultural memory, and universal belonging.
2. A Post-Secular Feminist Reading of Sacred Desire in One Part Woman
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Dr. M. Nagalakshmi*, Dr. P. Si...
Professor & Research Supervisor, Department of English, Vels Institute of Science, Technology and Advanced Studies, Pallavaram, Chennai
55-58
https://doi.org/10.5281/zenodo.19907983

This article explores the intersections of postcolonial secular governance and sacred eroticism in Perumal Murugan‘s One Part Woman, drawing on Partha Chatterjee‘s critique of Indian secularism and Wendy Doniger‘s readings of fertility rituals. Moving away from the dominant post-secular paradigm, the study focuses on how reproductive agency, religious syncretism, and embodied rituals function as sites of contestation in the protagonist‘s lives. It argues that the state‘s secular apparatus disciplines sexuality and fertility, while regional religious practices offer a subversive counter-narrative that privileges the body and desire. The sanctioned eroticism at the heart of the Ardhanareeswarar festival stands in tension with dominant discourses of morality, gender, and caste. By centring sacred eroticism and indigenous belief systems, the novel destabilises normative binaries of the sacred and profane, public and private, modern and traditional. This article suggests that One Part Woman critiques both the violence of secular modernity and the rigidity of patriarchy, presenting a layered vision of gendered existence in postcolonial India.
3. Ecocritical Re-Visions: Postmodernism and Nature in John Steinbeck's T...
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Mrs. K. Pamme Nesakumari*, Dr....
Ph.d. Research Scholar, Department of English, Vistas, India
49-54
https://doi.org/10.5281/zenodo.19907826

This study examines John Steinbeck’s Approach To a God Unknown within an ecocritical framework, including postmodern viewpoints on the interplay between the environment and mankind. Steinbeck’s story challenges anthropocentric perspectives by depicting nature as a vibrant, independent entity that surpasses human dominion, intertwining the holy and the secular. This study analyses how the novel's use of myth and spirituality illustrates the connectivity between humanity and the natural environment, along with postmodernism's dismissal of distinct borders and hierarchical frameworks. The research contends that To a God Unknown presages modern ecological discourse by promoting a re-evaluation of nature that recognizes its complexity, unpredictability, and inherent worth independent of human needs. By emphasizing these issues, this study establishes Steinbeck’s work as a forerunner in contemporary ecocritical discourse, making it relevant to current dialogues on environmental ethics and sustainability.
4. Reimagining the Legend of Manasa Devi in Gun Island: Literature as Env...
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Divya. G. *
Research Scholar, English, Dr. M.G.R. Educational and Research Institute
88-92
https://doi.org/10.5281/zenodo.19888543

Amitav Ghosh’s Gun Island reinterprets the traditional legend of Manasa Devi, the snake goddess of South Asian folklore, to address urgent ecological concerns and the interconnected crises of climate change, migration, and cultural displacement. By reimagining the myth of Manasa Devi within a contemporary global narrative, Ghosh transforms folklore into a powerful medium of environmental education and socio-cultural liberation. The novel bridges myth and modernity, demonstrating how indigenous ecological wisdom embedded in traditional narratives offers alternative ways of understanding humanity’s relationship with nature. Through the protagonist’s journey across India, Bangladesh, and Europe, the text reveals how environmental disasters disrupt human lives, forcing migrations that mirror the ancient movements encoded in mythic memory. The legend of Manasa Devi functions not merely as a religious or cultural artifact but as an ecological metaphor that foregrounds the agency of non-human forces and challenges anthropocentric worldviews. Ghosh employs magical realism and intertextual storytelling to show that myths possess pedagogical potential, educating readers about ecological balance, environmental justice, and ethical coexistence with the natural world. The novel reframes environmental catastrophe as both a material and spiritual crisis, suggesting that liberation lies in rediscovering interconnectedness among humans, animals, landscapes, and belief systems. As literature becomes a space for ecological consciousness, Gun Island operates as an instrument of environmental humanities, promoting awareness, empathy, and responsibility toward planetary survival. The reimagined Manasa Devi legend symbolizes resistance against ecological exploitation and colonial modes of knowledge that separate culture from nature. Ultimately, the novel proposes that storytelling itself can act as environmental education—awakening ecological sensitivity while enabling intellectual and spiritual liberation in the age of climate crisis.
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